Echoes
High in the mountains, cards behave in mysterious ways. Three cards. Three free selections. Three perfect echoes.
Catch Me If You Can
It‘s sleight of hand vs. test conditions in this impossible two-deck sandwich routine.
The Poker Formulas
Deal any poker hand to any number of players. A Full, Threes over Jacks for nine players? You got it. (No math or memory required).
Close Encounters
Same cards from different decks like to meet up and hang out. A best-buddy triple coincidence.
Sherlock
An incredible »impossible location« using a shuffled stack (!) (Oh, and it’s funny, too!)
The Core
Find a thought-of card and see why a deck is like a piece of fruit. Also: How to peel a deck!
Thought Exchange
Why do all the work alone? This time you find their thought-of card – and they find yours!
Duplicity
A gambling demonstration for people who don’t play cards: Duplicate random hands from a shuffled (!) deck.
A wide range of original effects, plots and
methods for the memorized deck (of the twenty-one routines,
three require the Tamariz Stack)...
Just like that!
»Teach me a trick!« You do, they succeed - and they have no idea how they did it!
Four Way Stop
A slow-motion quadruple stop trick. Not so easy, but Oh. So. Fair.
Top of the Heaps
Four random packets. A freely named four-of-a-kind. And for once, the laying-on of hands really works!
Impossible Bet
Four packets change into a Royal Flush? In one second, with one hand, without looking? Yep.
The Illusionist
Cut to a freely named four-of-a-kind – that was actually in your pocket the whole time!
Identity
A triple back and forth change of random cards into a named quartet. Highly visual (and rumoured to get screams!)
Fairy Tale Poker
The enchanted deck that will grant your spectators’ wishes! (Talking frog not included).
The Right Kind of Wrong
Sometimes dead wrong is exactly right - if only seen from another deck!
»Don't let the subtitle ›A Collection of Memorized-Deck Magic‹ fool you: this book is of tremendous value to anyone who's interested in clever, artful card magic - regardless of whether or not you ever use a memorized deck«
— Simon Aronson
»In the first years after ›Mnemonica‹ there were many contributions in form of ideas and tricks by many magicians, but without a doubt, the most coherent and creative corpus, the most distinct and profound work were the effects created and published by Pit.«
— Juan Tamariz
»What are you waiting for?
Buy this book.«
— John Lovick, Genii Magazine
Read the review
»Pit Hartling is one of the best card magicians on the planet.«
»A work that bears the Hartling stamp.«
»«A fantastic achievement.«
— Jared Kopf, MAGIC Magazine
»I will make this a short review: You need this book; you’ll love this book; you’ll learn from this book; and you’ll add routines from this book to your repertoire. That’s it. Close the magazine, get on the Internet, and buy a copy.«
»In Order to Amaze packs into its 252 pages more useful, thoughtful, ingenious content than a thousand one-trick DVDs.«
— Michael Close, M-U-M
»Darauf haben die Fans von Pit Hartling lange gewartet. Und das Warten hat sich mehr als gelohnt«
»Zauberbücher dieser Qualität sind heutzutage rar gesät«
»Durchweg hochklassiges A-Material«
»Ein Muss«
— Gerhard Dutschke, ALADIN
»Simply put, a wonderful book on every level.«
»Everything about this book exudes quality«
»The routines are all universally excellent«
»I just love Pit’s ability to turn even the most potentially boring card ›experiment‹ into a funny, engaging, lay-people-pleasing piece of entertainment«
»For goodness sake, just go and buy this book!«
— Mark Leveridge, Magicseen
»Nothing short of exceptional.«
»I have seen Pit perform many of these in person – all jaw-dropping effects that leave even veteran magicians clapping and whistling.«
»If you use any stack at all, this will help you get the most out of it.«
»An outstanding addition to your library.«
»Highly recommended.«
— The Linking Ring, Rolando Santos
Verantwortlich für den Inhalt:
Pit Hartling
Wielandstraße 18, D-60318 Frankfurt
Mobil: +49 171 / 198 198 2
Design und Umsetzung
Nicolai Tilov
— Visuelle Kommunikation
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